At the Lorimer Street entrance of the Metropolitan Av/Lorimer St station in Brooklyn, "Personal Choice #5" by Chloë Bass invites riders to reflect on lived communal experience, connection, and proximity in New York City. The artwork is part of an ongoing series titled "Personal Choice," a text and image-based project that pairs cropped found images sourced from the New York Public Library’s Picture Collection with poetic text written by Bass.

"Personal Choice #5" depicts three groups of figures in areas of Williamsburg near the subway station. Beginning on the Brooklyn-bound side with a depiction of two Orthodox Jewish community members from a photo taken in the 1960s, the triptych progresses on the wall in the center mezzanine featuring a 1997 image of a diverse group of teenagers, and finishes on the Manhattan-bound side with a photographic depiction from 2005 of two men engaged in conversation. Together, these images encapsulate an inherent intimacy and anonymity of public life, serving as an outward reminder of a collective sense of hope and new beginnings.

Fabricated by Miotto Mosaic Art Studios, the three compositions portray various gestures of touch overlaid with text written by the artist, lending a sense of continuity across each wall. The text, rendered in cut metal lettering, reads: “Whenever I'm pulled under by the weight of all I miss, I take some consolation that I have known, and may yet know, another life." Spreading as a single sentence over the three mosaic panels allows the artwork to be read like an open book, with one panel serving as the front cover, another as the central spine, and the third as the back.

"Personal Choice #5" bridges the concept of place and human interaction with a message of remembrance that contemplates the evolution and change of neighborhoods, and the resiliency of New York and its inhabitants.

“The use of tender, gestural images points to the inherent intimacy of public life in a city where we live alongside more than 8 million other people, many of whom are different from us,” artist Chloë Bass says. "The depiction of non-white (or otherwise minority) people is a reminder of who we must remember to consider and call our neighbors.”

Chloë Bass is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. Bass has held numerous fellowships and residencies, including a 2022 – 2023 studio resident at Silver Art Projects, a 2020 – 2023 Faculty Fellow for the Seminar in Public Engagement at the Center for Humanities (CUNY Graduate Center), and 2020 – 2023 Lucas Art Fellow at Montalvo Art Center. Her projects have appeared nationally and internationally, including recent exhibits at Art + Practice, Skirball Cultural Center, Henry Art Gallery, Pulitzer Arts Foundation, The Studio Museum in Harlem, Kunsthalle Wilhelmshaven, BAK basis voor actuele kunst, the Knockdown Center, the Kitchen, and elsewhere. She is an Associate Professor of Art at Queens College, CUNY, where she co-runs Social Practice CUNY with Gregory Sholette.