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The Guardian Angel

Brentwood

The Guardian Angel

Armando Mariño
The photo features a station interior view with people seated in a seating area and glass artwork. The glass artwork shows a large owl sitting amongst flowers and branches on top of a yellow background.
"The Guardian Angel" (2018) by Armando Mariño at Brentwood. Photo: Geandy Pavon

About the project

Armando Mariño’s artwork "The Guardian Angel" is inspired by the historic development of Brentwood and its present as a community. Fabricated by Tom Patti Design, the glass captures the artist’s original watercolor vibrancy and delicate brushstrokes. The installation features richly colored flowers from the countries of origin of many of Brentwood’s residents — such as Mexican Dahlias, Peruvian qantu, and Salvadorean Flor de Izote — as well as native flowers of Long Island. A guardian owl representing Brentwood’s idyllic past protects the garden. It is a metaphor for cultures integrating harmoniously, rendered in bright, alluring colors and brushwork as an invitation by the artist to “discover the beauty of life that needs to be preserved … [flowers] always come back after a hard winter like a reminder that there is always hope for a better future.”   

In his research at the Brentwood Historical Society, Mariño discovered "The Legend of the Red Owl" by Charles A. Codman, written around the same time as the founding of the Brentwood as "Modern Times," a utopian community. The allegory is about past and present co-existing peacefully, in which an owl becomes the narrator’s guardian angel. Mariño’s artwork is an update of this tale, with the owl as a modern guardian to inspire and protect the community.  

About the artist

Armando Mariño is a Cuban artist based in Upstate New York. His paintings are characterized by luminous colors balanced with dark shadows, depicting common scenes with a surreal twist. Moving from one city and landscape to another between Cuba, the Netherlands, France, and Upstate New York has influenced his artistic focus. The imagery in Mariño’s work derives from everyday social issues like refugees, war, economics, and ecology.