“Five Points of Observation,” sited on the platform walls of five adjacent subway stations in Queens and Brooklyn, is composed of five colossal six-foot heads made of copper mesh positioned at different angles and inserted in specially cut openings in the windscreen walls that otherwise would block views from the platforms to the streets below. Positioning themselves in the heads, subway riders can look out onto the world literally through the eyes of the sculptural forms. The artist created faces both multiethnic and androgynous, leaving room for viewers to construct for themselves stories of who these haunting forms might be and what they might signify. The faces are constructed with steel armatures and a grid of wire mesh, which serves a protective as well as expressive function. The positioning of the forms varies from station to station, giving them further variety and expressiveness. 

The monumental heads were fabricated in copper mesh by the Artist in her Manhattan studio using a hand work technique called Repoussé, the same technique used by Frederic Bartholdi to create the Statue of Liberty’s head and body. 

The heads are each almost six feet high and four feet wide and the transparency and apparent solidity of the sculptures change with the angle of view and the time of day. 

Part of the artwork has been de-installed or is concealed from view currently.

The New York City-based artist Kathleen McCarthy holds a BFA in Painting from Cornell University and a MFA in Painting from Indiana University.